Sally Vincent

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Venison

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“Marconi is wireless now” said Richard obliquely as we trundled across a muddy field in his jeep leaving a trail of feed on the ground for the hinds. “Yes?“ I replied waiting. “He got high tensile wire wrapped round his antlers a while ago,” he continued. “I couldn’t get anywhere near him for days. Then suddenly there he was standing quietly beside me waiting for me to release the wire with my huge wire cutters. It made quite a bang when I cut it but he just stood patiently till I’d finished. I thought it might make him easier to approach but no, once more he won’t come near me. But he’s wireless now…..”

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Marconi looks for the gap
The jeep has been ingeniously adapted so that by opening the driver's door and pulling on a piece of bailer twine the feed is released down a shoot from a tea chest where the back seat should be! The hinds had seen us coming and raced past forming a neat crocodile behind us as they reached the food. Marconi trotted up and down the fence forgetting, as he does every day apparently, where the gap is. This makes him habitually late for tea.

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Waiting for tea
Richard and Leslie have been here four years. Richard grew up on a farm being chased from the house and knocked over by boisterous tame lambs as a small child. He went on to intensively farm beef, finished in twelve months for the supermarkets. Next came intensive pigs and Dorset sheep lambing three times in two years. All that is behind him now. He says he “ harvests” the deer rather than farms them.

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Beyond the gentle feeding hinds stretches two hundred acres of natural farmland. In the distance I can see the reed meadows which give such good cover for the deer and which are cut once a year now. In the past the reeds were cut more often for thatching. Below these meadows is the wet woodland. Here the brook rises which feeds a wildlife habitat on its way down to the sea.

The farm is part of the Countryside Stewardship Scheme now. No chemicals are used anywhere, no fertilizers and even farmyard manure is not allowed back on the fields. Richard and Leslie let the red deer live as naturally as possible in two large groups with a stag in each group. Tall wire fences keep the animals from jumping onto the road and separate the stags who fight fiercely for dominance from August to March. Antlers can weigh as much as 5 kilos each. Around about now they loose them and are very vulnerable while the new ones grow. In fact the hinds bully them a bit while they’re in velvet, knowing it’s safe.

The hinds calve around May/June after a gestation period of about five months, but even this Richard says is dependant on the weather. Leslie and Richard have never had to help a hind and have never lost one during calving. The culling is done by a specialist marksman who picks out animals of eighteen to twenty-four months old from the herd. The carcasses go at once to the local abattoir and then are returned to the farm. Here they are hung in the farm butchery for seven to fourteen days. Venison in the wild is often hung for longer to tenderise the meat of older animals. Richard and Leslie prepare all the meat and sausages themselves for specialist shops and Farmers Markets.

I met some charming pigs too but more of them another time.

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Books

  • The Whitefaced Drift of Dartmoor’s Prapper Sheep: A Story as Olde as Them Hills, Colin Pearse
    A history of the White Face Dartmoor sheep. Published by Short Run Press Ltd.
  • The Preserving Book, Oded Schwartz
    My favourite store cupboard book. Published by Dorling Kingersley
  • Les Clafoutis de Christophe, Christophe Felder
    A rustic dessert originating in the Limousin, clafoutis is prepared with black cherries on which one pours a rather thick pancake batter. Christophe Felder, one of the best French pastrycooks, describes some 80 variations on clafoutis, sweet and savoury. Clafoutis with bilberries and fennel-flower, clafoutis with wild strawberries, clafoutis with broccoli and Gruyere....
  • Particular Delights, Nathalie Hambro
    "This book is about the art of eating, a rather wider notion than the art of cooking. Whereas cooking can merely be a mechanical execution of the instructions in a cookery book, eating invloves the use of all the senses. Life can be enhanced by the sensual elements in our surroundings. Forgotten memories are evoked by smell throughout life, and what can compare with the everyday smells of freshly roasted coffee and of bread as it is baked, or the delicate ratafia of plum or cherry jam as it cooks?"
  • Jane Grigson's Fruit Book
    The Fruit Book and it's partner Vegetable Book were the last two books Jane Grigson wrote, and both won the Glenfiddich Writer of the Year Award. She was one of the leading cookery writers of her generation, and as well as her many books she wrote for the Observer Colour Magazine for more than 20 years.
  • A Modern Herbal, Maude Grieve
    Mrs. Grieve's Modern Herbal, first published in 1931, is still in print, and you can also read it online at www.botanical.com.
  • Modern Cookery for Private Families, Eliza Acton
    Unsuccessful as a poet, Eliza Acton found fame with her cookery books. Modern Cookery, first published in 1845, is one of the first cookery books written specifically for housewives.
  • The Cooking of South West France, Paula Wolfert
    Confits and Cassoulets - the 'cuisine de terroir' of South West France. The recipes make use of ingredients which the region has in abundance, such as wild mushrooms, truffles, duck, walnuts, chestnuts, hams, cheeses and wines.
  • Food In England, Dorothy Hartley
    Published in 1954, the best of all books on English Food. Dorothy Hartley described Food In England as being like "an old-fashioned kitchen, not impressive, but a warm and friendly place, where one can come in at any time and have a chat with the cook".

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